Heroes Vs. Heroines

1

Introduction

Despite the recent efforts to diversify the superheroes population in both DC and Marvel Comics, women are vastly under-represented in comic books. There is only 26.7 percent of all DC and Marvel characters are female, and only 12 percent of mainstream superhero comics have female protagonists. Furthermore, they are frequently hyper-sexualized, unnecessarily brutalized, disregarded, stereotyped, created as spinoffs (Batgirl, Spidergwen) and used as token characters.
Through extensive dives into yearly character releases since the 1930s and comparisons of most common powers by gender, the apparent imbalance between female and male superheroes will be explored along with notable distinctions between the sexes.

2

Timeline

Exploring the timeline of character releases since 1935 presented an understanding of how under-represented women are in DC and Marvel Comics. In hindsight, the recent increase of female character releases showcased a positive development in the comic industry. However, when analyzed in correlation with male characters releases, the changes are less impactful.

More males with power

More females with power

3

POWERS

Looking through the graphs on the left, there's a trend of females having more mental abilities and males having more physical powers. Women tend to dominate stereotypically physical powers like prehensile hair, hair controlling, or pheromones control. There is a clear trend in how women are represented in comic books and a necessary need for a change in the industry on the distribution of superpowers.

STRENGTH

Super-human strength

Male: 28.34%

Female: 20.65%

INVULNERABILITY

Impossible to harm; immune to all forms of physical damage

Male: 15.29%

Female: 9.64%

STAMINA

Ability to sustain prolonged physical or mental effort

Male: 20.53%

Female: 17.38%

BERSERKER STRENGTH

Frenzied, violent and/or destructive strength

Male: 4.76%

Female: 1.99%

ADAPTIVITY

Ability to adapt to anything and quickly evolves

Male: 4.09%

Female: 3.18%

PHEROMONE CONTROL

Ability to generate and control pheromones, which may affect emotional and physical states

Male: 0.14%

Female: 0.73%

PREHENSILE HAIR

Ability to control one’s own hair

Male: 0.06%

Female: 0.43%

EMPATHY

Ability to fully interpret and replicate the emotions, moods, and temperaments of others

Male: 1.06%

Female: 2.57%

TELEPATHY

Ability to mentally receive and/or transmit information

Male: 5.64%

Female: 7.02%

PSYCHIC

Use of faculties or phenomena that are inexplicable by natural laws - in particular telepathy or clairvoyance

Male: 2.11%

Female: 3.32%

PSIONIC

Ability to use various forms of mental abilities and powers

Male: 2.89%

Female: 4.01%

EMOTIONAL CONTROL

Ability to manipulate emotions

Male: 1.13%

Female: 1.92%

ILLUSION CASTING

Ability to alter or deceive the perceptions of another

Male: 2.23%

Female: 2.71%

MESMERIZE

Has an overwhelmingly hypnotic presence that can influence and bend minds

Male: 20.53%

Female: 17.38%

PRECOGNITION

Ability to perceive future events before they happen

Male: 1.10%

Female: 1.90%

4

CONCLUSION

With the growing popularity of DC and Marvel characters in mainstream TV series, movies, and video games come the increasing importance of the representations of both genders in comic books. There is not only a need to increase the female population in comic books but also changes in the way they are represented. Thankfully, DC and Marvel are increasing the importance of female characters in the overall storyline - notably Jane Foster becoming Thor and Scarlet Witch in House of M - as well as their depiction with the recent redesign of the Batgirl's outfit.
While characters tend to maintain their original characteristics in the past, significant changes are now appearing in their stories. For examples, the return of Batgirl & Bruce Wayne's engagement with Selena Kyle. In essence, there is hope for the representation of females in comic books with the coming changes in DC and Marvel.

Website made by Duc Minh Pham for YSDN3006
All arts and illustrations are altered by Duc Minh Pham and owned by respective comapnies References